Author Archives: Richard Huleatt

Home Alone Key

R|R’s Charity Christmas Cinema

POSTPONED We’re sad to announce that due to unforeseen circumstances we have been forced to postpone our screening. We apologise to all those who planned on attending or had already purchased a ticket. We will be returning after the New Year with

Home Alone Key

R|R’s Charity Christmas Cinema

POSTPONED We’re sad to announce that due to unforeseen circumstances we have been forced to postpone our screening. We apologise to all those who planned on attending or had already purchased a ticket. We will be returning after the New Year with

AlienKey

Alien, Prometheus, Giger, and Rape

One thing the release of Prometheus (2012) has made abundantly clear is that people really care about Alien (1979). In particular, the huge amount of press coverage garnered by Prometheus saw the film incessantly discussed as the Alien prequel. Evidently,

AlienKey

Alien, Prometheus, Giger, and Rape

One thing the release of Prometheus (2012) has made abundantly clear is that people really care about Alien (1979). In particular, the huge amount of press coverage garnered by Prometheus saw the film incessantly discussed as the Alien prequel. Evidently,

ElectrickKey

Electrick Children

Describing a film as ‘shoegaze’ is a pretty unusual thing to do. It sounds like the film is so bad or so scary that the only place you can look is at your feet. But there just isn’t a suitable

ElectrickKey

Electrick Children

Describing a film as ‘shoegaze’ is a pretty unusual thing to do. It sounds like the film is so bad or so scary that the only place you can look is at your feet. But there just isn’t a suitable

PandoraKey

Pandora’s Digital Box – David Bordwell

David Bordwell, famous for his colossal contribution to film studies and his virtual monopoly of the textbook market, has released an e-book that examines the causes and effects of the transition to digital cinema. Bordwell attempts the unenviable task of

PandoraKey

Pandora’s Digital Box – David Bordwell

David Bordwell, famous for his colossal contribution to film studies and his virtual monopoly of the textbook market, has released an e-book that examines the causes and effects of the transition to digital cinema. Bordwell attempts the unenviable task of

ShameKey

Thoughts on Shame (Steve McQueen, 2012)

Sitting down in a stiflingly warm, sold out auditorium with fellow audience members averaging 65 years of age to watch Shame (2012), was one of my most affective cinematic experiences of recent years. Driven close to panic several times during

ShameKey

Thoughts on Shame (Steve McQueen, 2012)

Sitting down in a stiflingly warm, sold out auditorium with fellow audience members averaging 65 years of age to watch Shame (2012), was one of my most affective cinematic experiences of recent years. Driven close to panic several times during

EducationKey

Adult Education at Hackney Picturehouse

This year I have been fortunate enough to attend several education events run by Hackney Picturehouse. These included a six-week long talk on Ealing comedies and a talk by the British Board of Film Classification (BBFC) on the work they

EducationKey

Adult Education at Hackney Picturehouse

This year I have been fortunate enough to attend several education events run by Hackney Picturehouse. These included a six-week long talk on Ealing comedies and a talk by the British Board of Film Classification (BBFC) on the work they

Looking In, Looking Out: Film & Philosophy

Looking In, Looking Out: Film & Philosophy

Looking In, Looking Out is a new film festival being held between 27th June and 7th July in the historic venue of London’s Conway Hall. The festival promises its audience will get to examine and enjoy a wide range of

Looking In, Looking Out: Film & Philosophy

Looking In, Looking Out: Film & Philosophy

Looking In, Looking Out is a new film festival being held between 27th June and 7th July in the historic venue of London’s Conway Hall. The festival promises its audience will get to examine and enjoy a wide range of

PostersKey

LWL70 – LWLies x colette: How Posters Aid Ownership

Independent film magazine Little White Lies are marking the 65th Cannes Film Festival by holding an exhibition with Paris based gallery and retailer, colette, to pay tribute to the art of the film poster. The exhibition will be held between

PostersKey

LWL70 – LWLies x colette: How Posters Aid Ownership

Independent film magazine Little White Lies are marking the 65th Cannes Film Festival by holding an exhibition with Paris based gallery and retailer, colette, to pay tribute to the art of the film poster. The exhibition will be held between

SafeKey

Safe (2012) & the Vigilante Film

Safe (Boaz Yakin, 2012) – UK Release 4th May Jason Statham stars as Luke Wright, an ex-supercop turned vigilante, who has 94 mins to beat the living crap out of corrupt cops and NYC mobsters. After a run-in with Russian

SafeKey

Safe (2012) & the Vigilante Film

Safe (Boaz Yakin, 2012) – UK Release 4th May Jason Statham stars as Luke Wright, an ex-supercop turned vigilante, who has 94 mins to beat the living crap out of corrupt cops and NYC mobsters. After a run-in with Russian

PodcastKey

Picturehouse Podcast Birthday Screening v.2.0: The Raid & Hard Boiled

After a disagreement between an elbow and a fire alarm the last event was postponed. This post now includes the updated dates and links: Our friends over at Picturehouse are celebrating the second year of their weekly podcast by holding a double-bill

PodcastKey

Picturehouse Podcast Birthday Screening v.2.0: The Raid & Hard Boiled

After a disagreement between an elbow and a fire alarm the last event was postponed. This post now includes the updated dates and links: Our friends over at Picturehouse are celebrating the second year of their weekly podcast by holding a double-bill

TBATBKey

The Bad and the Beautiful

Vincente Minnelli’s exploration of Hollywood’s wounded artists in The Bad and the Beautiful (1952) is an immensely enjoyable piece of myth-making in line with the film industry’s troubled years in the early 1950s. The film’s use of a multiple-perspective narrative,

TBATBKey

The Bad and the Beautiful

Vincente Minnelli’s exploration of Hollywood’s wounded artists in The Bad and the Beautiful (1952) is an immensely enjoyable piece of myth-making in line with the film industry’s troubled years in the early 1950s. The film’s use of a multiple-perspective narrative,

AvatarKey

Avatar in the Palestinian (Imagi)nation: An Interview with Professor Yosefa Loshitzky

The recently published issue of Third Text, included an article by Prof. Yosefa Loshitzky called ‘Popular Cinema as Popular Resistance: Avatar in the Palestinian (Imagi)nation,’ that focused on how Avatar (2009) had not only been extremely popular in Palestine, but

AvatarKey

Avatar in the Palestinian (Imagi)nation: An Interview with Professor Yosefa Loshitzky

The recently published issue of Third Text, included an article by Prof. Yosefa Loshitzky called ‘Popular Cinema as Popular Resistance: Avatar in the Palestinian (Imagi)nation,’ that focused on how Avatar (2009) had not only been extremely popular in Palestine, but

showdownkey

SHOWDOWN – Toby Gale

Some of the best music videos ever made encompass much more than just tributes to the music; they stand up as short films that tell their own stories while complementing or contradicting the song. In this case, Toby Gale’s debut music

showdownkey

SHOWDOWN – Toby Gale

Some of the best music videos ever made encompass much more than just tributes to the music; they stand up as short films that tell their own stories while complementing or contradicting the song. In this case, Toby Gale’s debut music

WriteKey
/ Film

Write for us!

Real|Reel Journal are looking for new contributors to write regular articles on film and wider film culture. The text below is taken from our submissions page and goes into a bit more detail about who we think would like to

WriteKey
/ Film

Write for us!

Real|Reel Journal are looking for new contributors to write regular articles on film and wider film culture. The text below is taken from our submissions page and goes into a bit more detail about who we think would like to

BattleshipKey

Plurarity vs. Polarisation – Battleship (2012)

There are no two ways about it, Battleship (2012) is a very odd film. First there are the obvious things, like the fact it is based on a board game which lacks any narrative context, or the fact that it

BattleshipKey

Plurarity vs. Polarisation – Battleship (2012)

There are no two ways about it, Battleship (2012) is a very odd film. First there are the obvious things, like the fact it is based on a board game which lacks any narrative context, or the fact that it

GirlWalkKey

Can this get any more contemporary? Girl Walk // All Day (2011)

Mashup musician Gregg Gillis (a.k.a. Girl Talk) released his fifth album, ‘All Day,’ in November 2010 as a free download. This distribution method was made famous by Radiohead who digitally released ‘In Rainbows’ prior to its release on CD and

GirlWalkKey

Can this get any more contemporary? Girl Walk // All Day (2011)

Mashup musician Gregg Gillis (a.k.a. Girl Talk) released his fifth album, ‘All Day,’ in November 2010 as a free download. This distribution method was made famous by Radiohead who digitally released ‘In Rainbows’ prior to its release on CD and

POWKey

The Prisoner-of-War Film: Dorms, Prefects & Pranks

Some of my earliest cinematic memories (apart from The Jungle Book (1967) and One Of Our Dinosaurs Is Missing (1975)) are made up of watching VHS copies of prisoner-of-war films at my grandparents’ home. After recently re-watching The Wooden Horse

POWKey

The Prisoner-of-War Film: Dorms, Prefects & Pranks

Some of my earliest cinematic memories (apart from The Jungle Book (1967) and One Of Our Dinosaurs Is Missing (1975)) are made up of watching VHS copies of prisoner-of-war films at my grandparents’ home. After recently re-watching The Wooden Horse

WesKey

Wes Anderson on the Sidelines, Bottle Rocket (1996)

“In a climate where coolness reigns and nothing matters, the toughest stance to take is one of engagement and empathy.” Anticipation for Wes Anderson’s new film Moonrise Kingdom (2012) is reaching stratospheric heights since the announcement that it will be

WesKey

Wes Anderson on the Sidelines, Bottle Rocket (1996)

“In a climate where coolness reigns and nothing matters, the toughest stance to take is one of engagement and empathy.” Anticipation for Wes Anderson’s new film Moonrise Kingdom (2012) is reaching stratospheric heights since the announcement that it will be

BBFCKey

The BBFC: A Century of Cinema

The British Board of Film Classification (BBFC) is celebrating its centenary this year and one of the things they’re doing in celebration is bringing back some vintage theatrical black cards. The selection of cards are based on the designs from

BBFCKey

The BBFC: A Century of Cinema

The British Board of Film Classification (BBFC) is celebrating its centenary this year and one of the things they’re doing in celebration is bringing back some vintage theatrical black cards. The selection of cards are based on the designs from

TacitaKey

Tacita Dean’s Plea for Plurality

Why should we care about the rapid disappearance of the medium of film? This is the question that the artist Tacita Dean put to an audience of film industry members at an event titled ‘A Celebration of Film’ held in

TacitaKey

Tacita Dean’s Plea for Plurality

Why should we care about the rapid disappearance of the medium of film? This is the question that the artist Tacita Dean put to an audience of film industry members at an event titled ‘A Celebration of Film’ held in

Adam Sandler: The Early Years

Adam Sandler: The Early Years

Adam Sandler receives some of the most consistently negative criticism given to any Hollywood performer. The Village Voice once described his films as being “easy like the neighbourhood drunk who’ll never judge you,” whilst Peter Bradshaw recently stated that Jack

Adam Sandler: The Early Years

Adam Sandler: The Early Years

Adam Sandler receives some of the most consistently negative criticism given to any Hollywood performer. The Village Voice once described his films as being “easy like the neighbourhood drunk who’ll never judge you,” whilst Peter Bradshaw recently stated that Jack

Act of Valor (2012): A new ‘Actionprop’ cinema?

Act of Valor (2012): A new ‘Actionprop’ cinema?

“This time around the audience aren’t being asked to buy war bonds. So what are we being sold?” During World War II active members of the armed forces were shipped back to the USA to assist in the sale of

Act of Valor (2012): A new ‘Actionprop’ cinema?

Act of Valor (2012): A new ‘Actionprop’ cinema?

“This time around the audience aren’t being asked to buy war bonds. So what are we being sold?” During World War II active members of the armed forces were shipped back to the USA to assist in the sale of